Skip to main content

On Occasion Of Gokulasthami

 

On Occasion Of Gokulasthami

Subject: Bhagvad Gita in Mahabharata: Words of Lord Krishna in Bhishma Parva

Written By: Yogesh Gogwekar

Address : Mahim , Mumbai

He has been called by many names like Govinda, Keshav, Madhusudan, Vasudeva, Mukunda but for his devotees always call him Krishna. Lord Krishna has been portrayed in various perspectives in different stages of life, such as an infant eating butter, a young boy playing flute, a young man in love with Radha an Gopi, a central figure in Epic Mahabharata & a friendly Charioteer giving advice to Arjuna. He has been considered the eight incarnation of Lord Vishnu. His related literature had inspired many performance arts like Indian Classical Music, Bharatanatyam, Kathakali etc. He is a Hindu God. Krishna knows he is God but he always works like a human being. He loves everything he does. He never thinks of rules. He is ready to do any work and ready to break the rule to maintain Dharma.

Krishna's major contribution is in Mahabharata. In Mahabharata, He becomes the central figure but not the hero of the epic. He is a peacemaker in Mahabharata who tries to reconcile with Kaurava to avoid war. When war is unavoidable, he is ready to become Charioteer for Arjuna.

Mahabharata is nothing but property dispute and Arjuna asked his Charioteer to take him to the center of the battleground. After seeing elders, teachers, uncles, nephews, son in law, father in Law, Arjuna was not ready to fight and kill them. He threw away his weapons; and Krishna who is Charioteer counselling Arjuna and asking him to fight to fulfil his duty to establish Dharma. This counselling or advice is nothing but Bhagavad Gita.

Gita is set in the narrative framework of a dialogue between Arjuna and Krishna. It is nothing but a solution to the problems of Arjuna. This solution is comprehensive.  It presents a synthesis of the concept of Dharma which involves behavioral, emotional and intellectual ways of life. Bhagavad Gita has 18 chapters with 700 verses. Gita is nothing but the study of how human beings see the world. Gita tells us there was a world before us and there will be a world after us. It never tells us the concept of judgement Day. It never gives commandments. Gita tells us to judge ourselves to understand the world. It says there is no judgement as there are no rules , there is nothing right and wrong & mine and not mine. In the Gita, Krishna says that nothing is wasted or destroyed in the cosmos.  All efforts are recorded and they impact future lives.  Knowledge acquired in the past plays a role in the wisdom of future lives.

It is a really good text to read. It is to be understood in a philosophical way. No one can read Gita as a book in a single sitting. There is much to write about Gita. Now, I am closing this by giving Krishna's wording in Chapter 10 about his presence everywhere.

Arjuna, I am the life existing in all things. I am the beginning, the middle and end. I am the staff of Guardians , the strategy of the ambitious, silence of secrets, wisdom of wise ,without me there can be no elements.

We wish you Happy Gokulasthami

Thank You

 


Comments

Popular posts from this blog

The Unheard Architects of a Golden Era: Contribution of Goan Christians to Hindi Film Music

  Subject: The Unheard Architects of a Golden Era: Contribution of Goan Christians to Hindi Film Music Written by: Yogesh Gogwekar Address: Mahim, Mumbai  While reading Hindi Film Songs: Music Beyond Boundaries , the seminal work of Dr. Ashok D. Ranade, an ethnomusicologist and pioneer of cultural musicology, encounters a striking idea: though cinema is a visual medium, Indian cinema has for decades functioned as a dream factory where the song is its chief currency. According to Dr. Ranade, the Hindi film song is both deeply embedded in the cinematic narrative and yet capable of living a life entirely beyond it. As a cultural-musical unit, it transcends the film, the language, and even the region that produced it. Hindi film music, he observes, flows “here, there, and everywhere”—a truth every Indian instinctively recognizes. These songs are not merely entertainment; they are collective memory, cultural identity, and a shared national soundtrack. This is especially evide...

मी कशाला बंधनात राहू?

  शुभंकरोती साहित्य परिवार सप्ताह क्रमांक .: १९८ विषय क्रमांक .: ३ विषय : * ' मी कशाला बंधनात राहू ?'* शब्दांकन : योगेश गोगवेकर परीक्षक : मा . राधिकाताई भांडारकर संकेतस्थळ : जेव्हा एखादी स्त्री ठामपणे म्हणते , “ मी स्वतंत्र आहे ”, तेव्हा ते वाक्य केवळ आत्मविश्वासाचे नाही , तर संपूर्ण व्यवस्थेला दिलेले आव्हान असते . मात्र आपल्या समाजाने या वाक्याचा अर्थ नेहमीच सोयीस्करपणे लावला आहे . स्वतंत्र स्त्री म्हणजे पुरुषद्वेषी , कुटुंबविरोधी , बंडखोर किंवा ‘ मर्यादा न पाळणारी ’ अशी लेबले तिच्यावर पटकन चिकटवली जातात . प्र त्यक्षात स्त्रीचे स्वातंत्र्य म्हणजे पुरुषांचे अस्तित्व नाकारणे नव्हे , तर पुरुषप्रधान सत्ताकेंद्रांना प्रश्न विचारण्याचे धैर्य आहे . स्वतंत्र स्त्री असणे म्हणजे सूड नव्हे ; तो स्वतःच्या आयुष्यावर हक्क आहे . स्वातंत्र्य म्हणजे काय ? आपल्या विचारांना शब्द देण्याचे स्वातंत्र्य , निर्णय स्वतः घेण्याची मुभा , आयुष्य स्वतःच्या अटींवर जगण्याचा आत्मविश्वास हेच खरे स्वातंत्र्य . त्यासाठी केवळ आर्थिक आत्मनिर्भरता पुरेशी नसते ; तर मतभिन्नता मांडण्याचे धैर्य आणि ‘ नाही ’ ...

इंग्रजीच्या सावलीतली मला समजलेली मराठी भाषा आणि आजची वास्तवता

  विषय :  इंग्रजीच्या सावलीतली मला समजलेली मराठी भाषा आणि आजची वास्तवता  शब्दांकन : योगेश गोगवेकर आज २७ फेब्रुवारी २०२६. मराठी भाषेचे आधुनिक कवी, नाटककार आणि कादंबरीकार वि. वा. शिरवाडकर यांचा आज जन्मदिन; आणि हाच दिवस आपण मराठी भाषा दिन म्हणून साजरा करतो. दरवर्षी हा दिवस साजरा करताना मला एक प्रश्न नेहमी पडतो, आज मराठीचे मराठी माणसांमध्ये नेमके स्थान काय आहे? आजची मराठी पिढी कितपत शुद्ध आणि आत्मीयतेने मराठी बोलते किंवा मराठी साहित्य किती वाचते? आजच्या पिढीला कवी कुसुमाग्रज कोण आहेत हे तरी माहिती आहे का? असे अनेक प्रश्न मनात उभे राहतात. हल्लीच आमच्या परिसरातील एका विशीतल्या तरुणीने पु. ल. देशपांडे यांच्याबद्दल बोलताना, “ते आमच्या वडिलांच्या काळातील विनोद करणारे गृहस्थ होते,” असे म्हटले. पण पु. ल. देशपांड्यांनी मराठीत अत्यंत दर्जेदार साहित्य निर्माण केले आहे, हे तिला माहिती नव्हते; कारण तिच्या आई-वडिलांनीसुद्धा त्यांची पुस्तके वाचलेली नव्हती. मग कुसुमाग्रजांच्या कवितांची ओळख असण्याचा प्रश्नच दूर राहतो. माझ्या एका नातेवाईकाच्या मुलाने तर “सोपे मराठी समजते, पण वाचता येत नाही,” ...