Skip to main content

On Cricket : A good book to read

On Cricket : A good book to read

Watching the game of Cricket is always a pleasure for cricket lovers like me and also enjoyable to read the literature of this beautiful game. There are so many writers have written literature on Cricket and they are claimants to be the best writers on cricket. Cricket writers like Neville Curdus, C L R James, Gideon Haigh, Allan Rose, John Arlott, David Foot, Ramchandra Guha, Stephen Chalke, Sujit Mukherjee, Rahul Bhattacharya, Boria Majumdar and Mike Brearley. After reading the their writings, one can easily conclude that a cricket writer is one who studies the game and then present it in a such way which makes readers to understand game so that they can enjoy the game at the time of watching.  This feeling you will get when you are reading the book written by Mike Brearley and book name is On Cricket. Prior to this book, Brearley has written two books on cricket, namely,”The Art of Captaincy and On Form”.  The book On Cricket is having delightful essays which are not only providing various aspects of game but also includes short discussion on key figures in the game. This book is exploration of human qualities of humbler players.

From:  Yogesh Gogwekar.

John Michael Brearley popularly known as Mike Brearley was one of the best England Captains. To understand his talent as a captain, one should look at the way he orchestrated the 1981 Ashes series which is one of the extraordinary reversal of sporting history. He is psychoanalyst, practicing psychotherapist and knows about life beyond boundary. Therefore, he is good motivational speaker and his writing always gives us philosophical approach towards the game. Born on 28th April 1942, he married with Indian woman Manna Sarabhai who was architect and designer. He met her during the MCC tour of 1976-77 in Ahmedabad.

In this book, Brearley reflects on the game by ranging from influence of his father and his mentors to the controversial aspects of the games which includes cheating and innovation. Brearley has written on his heroes like Viv Richards, Bishan Singh Bedi and Denis Lille and considered team as a game changer. He has also written about four West Indian bowlers who threatened the wicket as well as the body. Now we are missing such type of bowling.  He has appreciated two Pakistani Cricketers Sarfaz Nawaz who discovered reverse swing (uncanny ability to move the old ball in the air) and Saqlain Mushtaq for introducing doosra i.e. a leg break delivery bowled with an off break action in the game.

In Indian Connection, Brearley considered the four Indian Cricket batsmen as best batsmen in the world. They are Ranjit Singh, Mansur Ali khan Patudi, Sachin Tendulkar and Virat Kohali. He said Sachin Tendulkar is the Don Bradman of India. He has also written about Bishan Bedi and his bowling style and said most generous man on and off the field. He said that Bishan Singh Bedi is/was his hero.

He praised Sangakkara for his batting success and his efforts to improvise his batting. According to Brearley, Sangakkara was the sturdiest and most correct batsman. His writings about Viv Richards and Shane Warne are fantastic as the contributions of these two players were so great that even words are falling short to praise them. Brearley has managed in his own intelligent way.

At the time of considering best wicket keeper, Sayed Kirmani of India could not get place in his book. Brearley mentioned only two wicket keepers Rodney March of Australia and Alan Knot of England. Similarly, he has not considered Kapil Dev of India who was one of remarkable cricketers. 

In this book, he has also discussed the infamous D’Oliviera affair. D’Oliviera a south African born and allrounder left his country due to racism and settled down in England as he was mixed –race cricketer. England had selected him for South African tour of 1968 but objected by South Africa due to political reasons. Due to this, England cancelled the tour. He also described the Ball tampering by Australian players and match fixing cases of Pakistani and south African players.

Brearley also gave the fair account of cricket commentators like Harold Pinter, John Arlott and Ian Chapel. He said that John Arlott romanticized the cricket at the time of Cricket commentary and made this game more interesting. 

It is a wonderful book to read which covers all aspects of the game. It is nothing but historiography of game of Cricket. I urged every cricket lover to read this book to enjoy spirit of the game.

Mumbai
08/02/2020.


Comments

Popular posts from this blog

The Unheard Architects of a Golden Era: Contribution of Goan Christians to Hindi Film Music

  Subject: The Unheard Architects of a Golden Era: Contribution of Goan Christians to Hindi Film Music Written by: Yogesh Gogwekar Address: Mahim, Mumbai  While reading Hindi Film Songs: Music Beyond Boundaries , the seminal work of Dr. Ashok D. Ranade, an ethnomusicologist and pioneer of cultural musicology, encounters a striking idea: though cinema is a visual medium, Indian cinema has for decades functioned as a dream factory where the song is its chief currency. According to Dr. Ranade, the Hindi film song is both deeply embedded in the cinematic narrative and yet capable of living a life entirely beyond it. As a cultural-musical unit, it transcends the film, the language, and even the region that produced it. Hindi film music, he observes, flows “here, there, and everywhere”—a truth every Indian instinctively recognizes. These songs are not merely entertainment; they are collective memory, cultural identity, and a shared national soundtrack. This is especially evide...

मी कशाला बंधनात राहू?

  शुभंकरोती साहित्य परिवार सप्ताह क्रमांक .: १९८ विषय क्रमांक .: ३ विषय : * ' मी कशाला बंधनात राहू ?'* शब्दांकन : योगेश गोगवेकर परीक्षक : मा . राधिकाताई भांडारकर संकेतस्थळ : जेव्हा एखादी स्त्री ठामपणे म्हणते , “ मी स्वतंत्र आहे ”, तेव्हा ते वाक्य केवळ आत्मविश्वासाचे नाही , तर संपूर्ण व्यवस्थेला दिलेले आव्हान असते . मात्र आपल्या समाजाने या वाक्याचा अर्थ नेहमीच सोयीस्करपणे लावला आहे . स्वतंत्र स्त्री म्हणजे पुरुषद्वेषी , कुटुंबविरोधी , बंडखोर किंवा ‘ मर्यादा न पाळणारी ’ अशी लेबले तिच्यावर पटकन चिकटवली जातात . प्र त्यक्षात स्त्रीचे स्वातंत्र्य म्हणजे पुरुषांचे अस्तित्व नाकारणे नव्हे , तर पुरुषप्रधान सत्ताकेंद्रांना प्रश्न विचारण्याचे धैर्य आहे . स्वतंत्र स्त्री असणे म्हणजे सूड नव्हे ; तो स्वतःच्या आयुष्यावर हक्क आहे . स्वातंत्र्य म्हणजे काय ? आपल्या विचारांना शब्द देण्याचे स्वातंत्र्य , निर्णय स्वतः घेण्याची मुभा , आयुष्य स्वतःच्या अटींवर जगण्याचा आत्मविश्वास हेच खरे स्वातंत्र्य . त्यासाठी केवळ आर्थिक आत्मनिर्भरता पुरेशी नसते ; तर मतभिन्नता मांडण्याचे धैर्य आणि ‘ नाही ’ ...

इंग्रजीच्या सावलीतली मला समजलेली मराठी भाषा आणि आजची वास्तवता

  विषय :  इंग्रजीच्या सावलीतली मला समजलेली मराठी भाषा आणि आजची वास्तवता  शब्दांकन : योगेश गोगवेकर आज २७ फेब्रुवारी २०२६. मराठी भाषेचे आधुनिक कवी, नाटककार आणि कादंबरीकार वि. वा. शिरवाडकर यांचा आज जन्मदिन; आणि हाच दिवस आपण मराठी भाषा दिन म्हणून साजरा करतो. दरवर्षी हा दिवस साजरा करताना मला एक प्रश्न नेहमी पडतो, आज मराठीचे मराठी माणसांमध्ये नेमके स्थान काय आहे? आजची मराठी पिढी कितपत शुद्ध आणि आत्मीयतेने मराठी बोलते किंवा मराठी साहित्य किती वाचते? आजच्या पिढीला कवी कुसुमाग्रज कोण आहेत हे तरी माहिती आहे का? असे अनेक प्रश्न मनात उभे राहतात. हल्लीच आमच्या परिसरातील एका विशीतल्या तरुणीने पु. ल. देशपांडे यांच्याबद्दल बोलताना, “ते आमच्या वडिलांच्या काळातील विनोद करणारे गृहस्थ होते,” असे म्हटले. पण पु. ल. देशपांड्यांनी मराठीत अत्यंत दर्जेदार साहित्य निर्माण केले आहे, हे तिला माहिती नव्हते; कारण तिच्या आई-वडिलांनीसुद्धा त्यांची पुस्तके वाचलेली नव्हती. मग कुसुमाग्रजांच्या कवितांची ओळख असण्याचा प्रश्नच दूर राहतो. माझ्या एका नातेवाईकाच्या मुलाने तर “सोपे मराठी समजते, पण वाचता येत नाही,” ...